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Sousa's birthplace on G St., S.E. in Washington, D.C. John Philip Sousa was born in Washington, D.C., the third of 10 children of João António de Sousa (John Anthony Sousa) (September 22, 1824 – April 27, 1892), who was born in Spain to Portuguese parents, and his wife Maria Elisabeth Trinkhaus (May 20, 1826 – August 25, 1908), who was German and from Bavaria.
Out of Work (1880) Tyrolienne (1880) Under the Eaves (1880) The Blending of the Blue and the Gray (1887) Songs of Grace and Glory (1892) The Salute of the Nations (1893) Rose, Thistle and Shamrock (1901) In the Realm of the Dance (1902) A Day at Great Lakes (1915) On the 5:15 (1916) In Pulpit and Pew (1917) A Study in Rhythms (1920)
John Philip Sousa was an American composer and conductor of the late Romantic era known primarily for American military marches. [1] He composed 136 marches from 1873 until his death in 1932. [ a ] [ 2 ] He derived a few of his marches from his other musical compositions such as melodies and operettas .
"The High School Cadets" is a march written in 1890 by John Philip Sousa in honor of the cadet drill team of Washington High School in the District of Columbia. It is in regimental march form (I-AA-BB-CC-DD) and is a popular selection for school concert and marching bands, as well as for professional orchestras and bands. The march has been ...
Mar. 26—EDITOR'S NOTE — This story is part of a series commemorating the 100th anniversary of the current Corn Palace building, which opened in 1921. By 1925, John Philip Sousa had learned to ...
The opening strain of the march is famous and familiar to many. Typically, the march is played at a tempo of 110 to 120 beats per minute, rarely any faster. March enthusiasts have argued that the trio sections' mellow and moving phrases are among Sousa's most musical. Six sudden eighth notes move the melody along.
Toggle List of marches composed by John Philip Sousa subsection. 1.1 Comments from Aoba47. 1.2 Comments from ChrisTheDude. 1.3 Accessibility review (MOS:DTAB) 1.4 ...
John Philip Sousa: The operetta is mostly derived from Sousa's previous operettas like The Smugglers and The Wolf. Author Paul E. Bierley attributes to The Bride Elect the "misfortune of falling in the wake of the highly successful El Capitan". Sousa's later march of the same title was more successful than the operetta. Hyperion Theater, New Haven