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Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian school included Giorgione (c. 1477–1510), Titian (c. 1489–1576), Tintoretto (1518–1594), Paolo ...
Compared to the Renaissance architecture of other Italian cities, in Venice there was a degree of conservatism, especially in retaining the overall form of buildings, which in the city were usually replacements on a confined site, and in windows, where arched or round tops, sometimes with a classicized version of the tracery of Venetian Gothic architecture, remained far more heavily used than ...
Giovanni Bellini (c. 1430 – 26 November 1516) [1] was a Venetian Renaissance painter, probably the best known of the Bellini family of Venetian painters. His father was Jacopo Bellini, his brother was Gentile Bellini (who was more highly regarded than Giovanni during his lifetime, although the reverse is true today), and his brother-in-law was Andrea Mantegna.
Giorgione (c. 1477/8–1510), painter, with Titian founded the Venetian school of Renaissance Painting Giovanni d'Alemagna (c. 1411–1450), German painter who worked in Venice Guglielmo dei Grigi (c. 1485–1550), architect and sculptor, designed the Palazzo dei Camerlenghi
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
The Pardo Venus, Louvre, 196 x 385 cm. The Pardo Venus is a painting by the Venetian artist Titian, completed in 1551 and now in the Louvre Museum.It is also known as Jupiter and Antiope, since it seems to show the story of Jupiter and Antiope from Book VI of the Metamorphoses (lines 110-111).
Carpaccio's principal works were executed between 1490 and 1519, placing him among the early masters of Venetian painting in the Renaissance. By 1490, Carpaccio painted The Legend of Saint Ursula, a series of paintings for the Scuola di Sant'Orsola, one of the religious confraternities in Venice (see below "Narrative Cycles" for more on this ...
The San Giobbe Altarpiece (Italian: Pala di San Giobbe) is a c. 1487 altarpiece in oils on panel by the Venetian Renaissance painter Giovanni Bellini.Inspired by a plague outbreak in 1485, this sacra conversazione painting is unique in that it was designed in situ with the surrounding architecture of the church (a first for Bellini), and was one of the largest sacra conversazione paintings at ...