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A blurb on a book can be any combination of quotes from the work, the author, the publisher, reviews or fans, a summary of the plot, a biography of the author or simply claims about the importance of the work. In the 1980s, Spy ran a regular feature called "Logrolling in Our Time" which exposed writers who wrote blurbs for one another's books. [3]
The word "blurb", meaning a short description of a book, film, or other product written for promotional purposes, was coined by Burgess in 1906, in attributing the dust jacket of his book, Are You a Bromide?, to a "Miss Belinda Blurb" depicted "in the act of blurbing". His definition of "blurb" is "a flamboyant advertisement; an inspired ...
The Oxford Dictionary of Quotations is the Oxford University Press's large quotation dictionary. It lists short quotations that are common in English language and culture. The 8th edition, with 20,000 quotations over 1126 pages, was published in print and online versions in 2014. [1] The first edition was published in 1941.
An epigraph is a phrase, quotation, or poem that is set at the beginning of a document or component.
A quotation or quote is the repetition of a sentence, phrase, or passage from speech or text that someone has said or written. [1] In oral speech, it is the representation of an utterance (i.e. of something that a speaker actually said) that is introduced by a quotative marker, such as a verb of saying.
The quotes were chiefly from literary sources. A "miscellaneous" section followed, including quotations in English from politicians and scientists, such as "fifty-four forty or fight!". A section of translations followed, including mainly quotes from the ancient Greeks and Romans.
The Dictionary of Received Ideas (or Dictionary of Accepted Ideas; in French, Le Dictionnaire des idées reçues) is a short satirical work collected and published in 1911–13 from notes compiled by Gustave Flaubert during the 1870s, lampooning the clichés endemic to French society under the Second French Empire.
Throughout his book, Pirsig refers to his old self—the one before electroshock destroyed his personality—as Phædrus, to indicate this complete break of self.It is fair to say that the above adaptation presents Phædrus' view; Pirsig differs.