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The Mean One is a 2022 American Christmas slasher film directed by Steven LaMorte from a screenplay written by Flip and Finn Kobler. It is an unlicensed parody of Dr. Seuss' 1957 children's book How the Grinch Stole Christmas! and its adaptations, and stars Krystle Martin, Chase Mullins, John Bigham, Erik Baker, Flip Kobler, and Amy Schumacher, with David Howard Thornton as the eponymous ...
Need for Speed is a 2014 action crime film directed and co-edited by Scott Waugh and written by George and John Gatins. It is the film adaptation of the racing video game franchise of the same name by Electronic Arts .
A screenshot of early gameplay, when the game was known as Need for Speed: World Online.World combines elements of role-playing with illegal street racing.. World has a similar gameplay style to 2005's Most Wanted and 2006's Carbon, focusing on illegal street racing, tuning, and police chases, and added some elements to the game such as "power-ups" (somewhat similar to Mario Kart).
The end credits of Captain America: Brave New World sets up the already-announced 2027 film, Avengers: Secret Wars. Anthony Mackie's Captain America visits Tim Blake Nelson's villainous Samuel ...
Fozzie says "You can go home now, Ma. Movie's over." Need for Speed: Benny leading a few other inmates in an exercise routine. A Million Ways to Die in the West: Jamie Foxx (in his Django outfit) shows up at the shooting gallery and shoots the guy running the contest. He turns around and says "Someone always dies at the fair."
Need for Speed Unbound (stylised as NFS Unbound) is a 2022 racing video game developed by Criterion Games and published by Electronic Arts. It was released for PlayStation 5, Windows, and Xbox Series X/S on December 2, 2022. [2] Unbound is the twenty-fifth instalment in the Need for Speed series, and the successor to 2019's Heat.
Originally intended for streaming only, the adaptation is now headed to a theater near you.
Post-credits scenes may have their origins in encores, an additional performance added to the end of staged shows in response to audience applause. [1] Opera encores were common practice in the 19th century, when the story was often interrupted so a singer could repeat an aria, but fell out of favor in the 1920s due to rising emphasis on dramatic storytelling rather than vocal performance.