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The Keystone Korner was a jazz club in the North Beach neighborhood of San Francisco, California, which opened in 1970 and continued operation until 1983. Many live recordings were made at the club. [1] In the 1970s, Jessica Williams was the house pianist for a number of years.
In 2000, Barkan was hired to take Joel Dorn's place as head of the jazz label 32 Records. [2] In 2001 he began working as the director of Dizzy's Club Coca-Cola at Jazz at Lincoln Center, a position he held until 2012. [3] [4] In 2011, Barkan was in a car accident which left him hospitalized for weeks. [3]
Keystone Korner, North Beach, San Francisco [4] Kuumbwa Jazz Center, Downtown Santa Cruz [4] [1]: 5 Maybeck Recital Hall, Berkeley [4] Mr. Tipple's Recording Studio, San Francisco [1]: 5 Jazz Workshop, San Francisco; SF Jazz Center, San Francisco; Yoshi's Jazz Club, Jack London Square, Oakland [1]: 5
The Black Hawk was a San Francisco nightclub that featured live jazz performances during its period of operation from 1949 to 1963. It was located on the corner of Turk Street and Hyde Street in San Francisco's Tenderloin District. Guido Caccienti owned the club along with Johnny and Helen Noga.
Pages in category "Jazz clubs in the San Francisco Bay Area" The following 13 pages are in this category, out of 13 total. This list may not reflect recent changes. B.
The Jazz Café at Cipriani Beverly Hills is open Thursday to Saturday from 7 p.m. to 1 a.m., with the kitchen closing at 11 p.m. 362 N. Camden Dr ive , Beverly Hills, (310) 866-5060, cipriani.com ...
During its heyday, the venue was known for late-night live performances of many popular jazz artists, including Billie Holiday, Louis Armstrong, Chet Baker, and Charlie Parker, and was one of the most famous jazz clubs of its time, being instrumental in popularizing the modern jazz style in San Francisco. [1] The club closed in 1965 when jazz ...
In its review of the four-disc compilation, The New York Times indicated that the set was "the gold standard for straight-ahead, postwar jazz rhythm". [11] AllMusic, praising the "pristine" sound and "lovely" packaging, suggested that "no Davis fan should be without these recordings purchased separately or as a set."