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The New Hollywood, Hollywood Renaissance, American New Wave, or New American Cinema (not to be confused with the New American Cinema of the 1960s that was part of avant-garde underground cinema [6]), was a movement in American film history from the mid-1960s to the early 1980s, when a new generation of filmmakers came to prominence.
Some films are not listed here in order to keep this list to a manageable size. These include films that were released before 1930 (see Category:Films by year for pre-1930 films) and works of the United States government. Films released under a free license such as Creative Commons are also excluded.
The American independent film, prior to the 1980s and first half of the 1990s, [19] [20] [11] was previously associated with race films, [21] Poverty Row b movies (e.g. Republic Pictures [22] [23]), exploitation films, avant-garde underground cinema (when it was known as the New American Cinema [24] [25]), social and political documentaries, experimental animated shorts (since the mid-1930s ...
Download as PDF; Printable version; In other projects ... List of American films of 2029; 2030s ... American film at the Internet Movie Database "The 100 Greatest ...
Download as PDF; Printable version; In other projects ... • American Eccentric Cinema ... List of monster movies. American slasher films*
Symbols in Stanley Kubrick's Movie 'Eyes Wide Shut'. GRIN Verlag. ISBN 978-3-638-84176-4. Full Metal Jacket (1987) Modine, Matthew (25 October 2005). Full Metal Jacket Diary. Rugged Land. The Godfather trilogy (1972–90) Browne, Nick (2000). Francis Ford Coppola's The Godfather Trilogy. Cambridge University Press. ISBN 978-0-521-55950-8.
The 1930s: The Great American Movie Genres... Confessions of a Co-Ed (1931) dir. Dudley Murphy; Love Me Tonight (1932) dir. Rouben Mamoulian; The Golem: How He Came into the World (1920) dir. Carl Boese and Paul Wegener; Frankenstein (1931) dir. James Whale; Eyes Without a Face (1960) dir. Georges Franju; Audition (1999) dir. Takashi Miike
Thomas Cohen, in a 2012 book discussing her career, described her features as "films considered essential works of New American Cinema". [21] From 2012 onwards, Milestone Films undertook "Project Shirley", an in-depth, eight-year project to release restored versions of many of Clarke's films on DVD and Blu-ray, preceded by limited theatrical runs.