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The Stories of Eva Luna (Spanish: Cuentos de Eva Luna) is a collection of Spanish-language short stories by the Chilean-American writer Isabel Allende.It consists of stories told by the title character of Allende's earlier novel Eva Luna.
Don Joan de Serrallonga, 1907; La Santa Espina, patriotic song and sardana, 1907; Cançons populars catalanes harmonitzades, 1910; Titaina, opera, 1912; Tassarba, opera, 1916; Concert per a violoncel i orquestra (cello concerto), 1917; El poema de la nit i el dia i de la terra i de l'amor, symphonic poem, 1920; Cançons de career, 1926; La ...
Rivera, Tomás (1987) ...y no se lo tragó la tierra/ ...And the Earth Did Not Devour Him (English and Spanish edition). Translated by Evangelina Vigil-Piñón. Houston: Arte Publico Press. Rivera, Tomás (1992) ...y no se lo tragó la tierra/ ...And the Earth Did Not Devour Him (English and Spanish edition). Translated by Evangelina Vigil-Piñón.
Historia verdadera de la conquista de la Nueva España (transl. The True History of the Conquest of New Spain) is a first-person narrative written in 1568 [1] by military adventurer, conquistador, and colonist settler Bernal Díaz del Castillo (1492–1584), who served in three Mexican expeditions: those of Francisco Hernández de Córdoba (1517) to the Yucatán peninsula; the expedition of ...
"La autopista del sur" (South Highway) "La salud de los enfermos" (The Health of the Sick) "Reunión" (Meeting) "La Señorita Cora" (Miss Cora) "La isla a mediodía" (The Island At Noon) "Instrucciones para John Howell" (Instructions For John Howell) "Todos los fuegos el fuego" (All The Fires The Fire) "El otro cielo" (The Other Sky
Colección Real (Real Alcázar, Madrid, bóvedas que caen a la Priora-pasillos al pie de la escalera de la Galería del Cierzo y la misma escalera, 1686, s.n.; Real Alcázar, Madrid, pasillos al pie de la escalera de la Galería del Cierzo, 1700, nº 454; Palacio Real Nuevo, Madrid, cuarto del infante don Javier, 1772, nº 116). Exhibition history
The red and gold trimmed cape around his figure help draw the viewers gaze from the cape towards his face. [3] The cape and collar around De Morra's head bare a similar appearance to the military coat worn by Philip IV. De Morra's hands are resting on his side, in which Velázquez did not include any finger appendages. [3]
The first would have to have been made immediately upon the completion of La Tauromaquia since in the drawing album that the critic Cean Bermudez had, and which is preserved in the British Museum, the state proof of disparates no. 13 (A way of flying) appears after the last of La Tauromaquia.