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American abstract art was struggling to win acceptance and AAA personified this. The 1938 Yearbook addressed criticisms levied against abstract art by the press and public. It also featured essays related to principles behind and the practice of making abstract art. In 1940, AAA printed a broadside titled "How Modern is the Museum of Modern Art?"
Cowichan artist Edward Joe, who has adapted the Coast Salish art form into fine jewelry and prints, says "(Coast) Salish art has as smooth slowing motion intended to create a calm mood. The stories, legends, and myths are depicted in many of my art pieces. Animals from the land, sea, and sky are designed in a playful manner." [11]
A Brief History of Abstract Art with Turner, Mondrian and More "Turner's Whaling Pictures", The Metropolitan Museum of Art Bulletin, v. 73, no. 4 (Spring, 2016) Johnson, Ken (3 June 2016). "In Turner Paintings at the Met, the Bloody Business of Whaling". The New York Times. pp. C23. ProQuest 2310050465.
Samuel John Peploe (pronounced PEP-low; 27 January 1871 – 11 October 1935) was a Scottish Post-Impressionist painter, noted for his still life works and for being one of the group of four painters that became known as the Scottish Colourists.
Summer (1909). Frank Weston Benson, frequently referred to as Frank W. Benson, (March 24, 1862 – November 15, 1951) was an American artist from Salem, Massachusetts, known for his Realistic portraits, American Impressionist paintings, watercolors and etchings.
Clyfford Still (November 30, 1904 – June 23, 1980) was an American painter, and one of the leading figures in the first generation of Abstract Expressionists, who developed a new, powerful approach to painting in the years immediately following World War II.