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Here I Am, Lord", [1] also known as "I, the Lord of Sea and Sky" after its opening line, is a Christian hymn written by the American composer of Catholic liturgical music Dan Schutte in 1979 and published in 1981. [2] Its words are based on Isaiah 6:8 and 1 Samuel 3:4. It is published by OCP Publications.
The original lyrics [9] were composed on February 23, 1940, in Guthrie's room at the Hanover House hotel at 43rd St. and 6th Ave. (101 West 43rd St.) in New York. The line "This land was made for you and me" does not appear in the original manuscript at the end of each verse, but is implied by Guthrie's writing of those words at the top of the page and by his subsequent singing of the line ...
Despite this, Alford revised the hymn again in 1867 in Year of Praise. Alford was a moderate who attempted to keep good relations between non-conformists and the High Church Anglicans in the Church of England: "Come, Ye Thankful People, Come" is commonly found in evangelical hymn books, as are Alford's "Forward be our watchword" and "Ten ...
"The Land" is a protest song, traditionally sung by the Georgist movement in pursuit and promotion of land value taxation.Its first appearance is from a Chicago Georgist publication, The Single Tax, in 1887 as "The Land Song" [1] Until the late 1970s it was sung at the end of each year's Liberal Assembly and was the party anthem of the Liberal Party, until that party merged with the SDP to ...
UK Blues musician Ian Siegal recorded a song called "Beulah Land" on his album The Picnic Sessions. First line: "Riders of the purple sage". Alternative piano artist Tori Amos wrote a song also entitled "Beulah Land", which was a B-side on her 1998 album From the Choirgirl Hotel. Dennis brown mentions it in the song deliverance the destiny ...
The origin of the hymn's text is a poem by diplomat Sir Cecil Spring Rice, written in 1908 or 1912, entitled "Urbs Dei " ("The City of God") or "The Two Fatherlands". The poem describes how a Christian owes his loyalties to his homeland and the heavenly kingdom.
The song inspired the title of John Boorman's 1987 film of the same name, depicting World War II through the eyes of a 10-year-old boy. In 1997, the Labour Party broadcast a 5 minute long television broadcast criticizing the Conservative Party and John Major's handling as Prime Minister. The song was ironically used in the entirety of the ...
Almost immediately a tune suggested itself to him and the hymn was apparently composed on the spot (in the composer's words) "while I was chewing bacon and sausage." The completed setting, titled A Hymn Tune for Charterhouse , was sent to Fielden, and became a regularly used hymn at the school.