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"When It's Sleepy Time Down South", also known as "Sleepy Time Down South", is a 1931 jazz song written by Clarence Muse, Leon René and Otis René. It was sung in the 1931 movie Safe in Hell by Nina Mae McKinney , and became the signature song of Louis Armstrong , who recorded it almost a hundred times during his career. [ 1 ]
Jazz meditation refers to guided meditation practice that incorporates live instrumental jazz music. During a typical jazz meditation performance, a meditation guide or teacher is accompanied by one or more musicians, and musical improvisation is used as an anchor for mindfulness techniques such as visualization and breathing exercises.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The Voice of America Jazz Hour was broadcast on Voice of America beginning on January 6, 1955, and through 2003; it was then folded into Voice of America Music Mix's (now VOA1) program Jazz America. It began broadcasting in 1955, hosted by Willis Conover ; in its current form, it is hosted by Russ Davis.
Anita Belle Colton (October 18, 1919 [1] – November 23, 2006), [2] known professionally as Anita O'Day, was an American jazz singer and self-proclaimed “song stylist” widely admired for her sense of rhythm and dynamics, and her early big band appearances that shattered the traditional image of the "girl singer".
Little House Of Music Level 1 Package - Georgia S. Lucking [11] 2003: Riders in the Sky: Monsters, Inc. Scream Factory Favorites — Beethoven's Wig - Sing Along Symphonies - Richard Perlmutter; Big Songs For Little Kids - I Feel Like Praising - Various Artists ; Pocket Full Of Stardust - Cathy Fink & Marcy Marxer; Your Shoes, My Shoes - Tom ...
"Stormy Monday Blues" is a jazz song first recorded in 1942 by Earl Hines and His Orchestra with Billy Eckstine on vocals. The song was a hit, reaching number one in Billboard magazine's " Harlem Hit Parade ", [ 1 ] and was Hines' only appearance in the charts.
The smooth jazz format also added R&B; according to Cary Goldberg of JVC, Paul Hardcastle "brought a sophisticated, urban groove" to the format. She said, "Instead of bringing jazz to R&B, he's brought an R&B groove to contemporary jazz." [7] The smooth jazz music mix included 70 percent instrumentals and 30 percent vocals.