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Rackmount effects have a standardized 19-inch width, and height of 1 or more rack unit(s). Devices that are less than 19 inches wide can sometimes be made rackmount-compatible via special rackmount adapters. [15] A rackmount effects unit may contain electronic circuitry identical to a stompbox's, although its circuits are typically more complex.
The inclusion of an expander/gate provided attenuation of the gain during pauses in the audio signal to reduce noise caused by compression; the expander/gate could also be used for special 'punchy' effects, favoured on drum and percussive sounds. Noise gates were often criticised at the time for 'hunting' around the threshold point.
Scholz Research & Development, Inc. was the name of the company founded by musician and engineer Tom Scholz to design and manufacture music technology products. Scholz is an MIT-trained engineer who developed many of his skills as a product design engineer working on audio-production equipment at Polaroid in the early 1970s.
A noise gate mutes signals below a set threshold level. A noise gate's function is in, a sense, opposite to that of a compressor. Noise gates are useful for microphones which will pick up noise that is not relevant to the program, such as the hum of a miked electric guitar amplifier or the rustling of papers on a minister's lectern.
An Alesis Micro Gate noise gate. A noise gate or simply gate is an electronic device or software that is used to control the volume of an audio signal.Comparable to a limiter, which attenuates signals above a threshold, such as loud attacks from the start of musical notes, noise gates attenuate signals that register below the threshold. [1]
MXR also had a line of professional rackmount effects used by the likes of David Gilmour, [6] Stuart Adamson and Mike Rutherford. The first product introduced was the Digital Delay, which had delay times from 0.08ms to 320ms, but users could purchase additional plug-in memory boards that were user-installable and could increase delay times to ...
Noisegate was a group of artists dedicated to the exploration of sound as an artistic medium, based in Oakland, California, United States.Constantly recording, touring, and collaborating with other experimental artists and filmmakers, they became a staple of the Bay Area experimental music and sound-art scenes between 1995 and 2002.
TG33 (1990) — rack mount version of SY22; TG55 (1989) — rack mount version of SY55; TG500 (1992) — rack mount version of SY85; TG77 (1990)— rack mount version of SY77; FS1R (1998) — FM and formant synthesis