Search results
Results From The WOW.Com Content Network
Throughout Latin America, "rumba" acquired different connotations, mostly referring to Cubanized, danceable, local styles, such as Colombian rumba criolla (creole rumba). At the same time, "rumba" began to be used a catch-all term for Afro-Cuban music in most African countries, later giving rise to re-Africanized Cuban-based styles such as ...
Kenneth M. Bilby (born 1953) [1] is an American anthropologist, ethnomusicologist, and author.His published works include the books Words of Our Mouth, Meditations of Our Heart: Pioneering Musicians of Ska, Rocksteady, Reggae, and Dancehall (2016), Enacting Power: The Criminalization of Obeah in the Anglophone Caribbean, 1760–2011 (2012; with Jerome S. Handler), True-Born Maroons (2005), and ...
Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
Tam Tam o El origen de la rumba (1938, Cuba) is a pioneer short musical film of the Cuban sound cinema, directed by Ernesto Caparrós, based on the music by the brothers Alfredo Brito and Julio Brito. The film aims to show the evolution of La Rumba from its beginnings, through the love story of two young slaves. [1] [2]
The Son cubano itself was born from a synthesis of different popular styles such as the Rumba Urbana and Rumba Rural, and performed until the 1930s by amateur musicians. [ 7 ] Another Cuban folk music style emerged between the end of the 19th century and the beginning of the 20th in the poor neighborhoods of Havana .
Last Rumba in Havana is a novel by the Afro-Cuban dissident writer and journalist Fernando Velázquez Medina, [1] who was born in Havana in 1951. It was published in New York in December 2001 by the Hispanic newspaper chain Hoy LLC , and boasts a cover designed by the Colombian artist Juan Arango .
big.assets.huffingtonpost.com
Arsenio Rodríguez (born Ignacio Arsenio Travieso Scull; August 31, 1911 – December 30, 1970) [2] [3] was a Cuban musician, composer and bandleader. He played the tres, as well as the tumbadora, and he specialized in son, rumba and other Afro-Cuban music styles.