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The camera uses a 2048 x 1536 pixel sensor and has a fixed 7x optical zoom lens. [4] In designing the Dimage 5 and 7 Minolta have aimed to create SLR-type handling characteristics. The electronic viewfinder, manual zoom, and manual focus ring make the whole user experience more akin to an SLR.
The focus itself may be adjusted in a variety of ways. Larger view cameras and the like slide the lens closer or further from the film plane on rails; on smaller cameras, a focus ring on the lens is often rotated to move the lens elements by means of a helical screw. Other systems include levers on the lens or on the camera body.
The other 28–80mm lens is the EF 28–80mm f/2.8–4L USM, which was an EF mount wide-to-normal zoom lens introduced by Canon in April 1989. Being of the "L" class, it is of completely different design and structure than the aforementioned 28–80mm f / 3.5–5.6 lens.
Focus mode switch: This switch is found on most EF lenses that have an autofocus feature. It is used for setting the lens to either autofocus mode, or manual focus. When set to autofocus mode (AF), the lens will autofocus when directed to by the camera. When set to manual focus (MF), the lens is focused using the Focusing ring. Some lenses ...
50mm F1.4, 17-40mm F4, 100mm F2.8 Macro, 24-70mm F2.8, 70-200mm F2.8. This article details lenses for single-lens reflex and digital single-lens reflex cameras (SLRs and DSLRs respectively). The emphasis is on modern lenses for 35 mm film SLRs and for "full-frame" DSLRs with sensor sizes less than or equal to 35 mm.
Minolta AF 100–200 mm f /4.5, typical of original lens styling, with narrow straight-ribbed focusing ring at front, distance window, diagonal rubber-ribbed zoom ring. While most auto-focus lens designs were new developments, some optical constructions were derived from Minolta SR-mount lenses.