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Blue and white cups are not used by those who give tea-tasting parties. [ 5 ] By the end of the Kamakura period (1185–1333), as the custom of tea drinking spread throughout Japan and the Tenmoku chawan became desired by all ranks of society, the Japanese began to make their own copies in Seto (in present-day Aichi Prefecture ). [ 6 ]
Tenmoku takes its name from the Tianmu Mountain (天目 Mandarin: tiān mù; Japanese: ten moku; English: Heaven's Eye) temple in China where iron-glazed bowls were used for tea. [3] The style became widely popular during the Song dynasty. In Chinese it is called Jian Zhan (建盏), [4] which means "Jian (tea)cup". [5] [6]
Raku ware (楽焼, raku-yaki) is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of chawan tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low firing temperatures, lead glazes and the removal of pieces from the kiln ...
With the rise of Buddhism in the late 16th century, leading tea masters introduced a change of style and favored humble Korean tea bowls and domestic ware over sophisticated Chinese porcelain. The influential tea master Sen no Rikyū (1522–1591) turned to native Japanese styles of simple rustic pottery, often imperfect, which he admired for ...
None of the cups produced at other places can rival these. Blue and white cups are not used by those who give tea-tasting parties. [5] At the time, tea was prepared by whisking powdered leaves that had been pressed into dried cakes together with hot water, which was somewhat akin to matcha in the Japanese tea ceremony. The water added to this ...
Asahi stoneware tea bowl with wood-ash glaze, Edo period, 18th century Asahi ware ( 朝日焼 , Asahi-yaki ) is a type of Japanese pottery traditionally from Uji, Kyoto . Matsubayashi Hōsai XVI (松林豊斎 十六代) is one of the eminent masters of Asahi.