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It is also known as backquote, grave, or grave accent. The character was designed for typewriters to add a grave accent to a (lower-case [ a ] ) base letter, by overtyping it atop that letter. [ 1 ] On early computer systems, however, this physical dead key +overtype function was rarely supported, being functionally replaced by precomposed ...
The alternative to the grave accent in Mandarin is the numeral 4 after the syllable: pà = pa4. In African languages and in International Phonetic Alphabet, the grave accent often indicates a low tone: Nobiin jàkkàr ('fishhook'), Yoruba àgbọ̀n ('chin'), Hausa màcè ('woman'). The grave accent represents the low tone in Kanien'kéha or ...
É is a variant of E carrying an acute accent; it represents a stressed /e/ sound in Kurdish. It is mainly used to mark stress, especially when it is the final letter of a word. In Kurdish dictionaries, it may be used to distinguish between words with different meanings or pronunciations, as with péş ("face") and pes ("dust"), where stress ...
The ` (grave accent) key is the only one that acts as a free-standing dead key and thus does not respond as shown on the key-cap. (For a complete list of the characters generated using dead keys, see QWERTY#ChromeOS .)
È, è (e-grave) is a letter of the Latin alphabet. [1] In English, è is formed with an addition of a grave accent onto the letter E and is sometimes used in the past tense or past participle forms of verbs in poetic texts to indicate that the final syllable should be pronounced separately.
grave accents (e.g. à, è, etc.) needed for Scots Gaelic are generated by pressing the grave accent (or 'backtick') key `, which is a dead key, then the letter. Thus ` + a produces à. acute accents (e.g. á) needed for Irish are generated by pressing the AltGr key together with the letter (or AltGr + ' – acting as a dead key combination ...
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Originally, certain proclitic words lost their accent before another word and received the grave, and later this was generalized to all words in the orthography. Others—drawing on, for instance, evidence from ancient Greek music—consider that the grave was "linguistically real" and expressed a word-final modification of the acute pitch. [2 ...