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New York, New York is a 1977 American romantic musical film directed by Martin Scorsese from a screenplay by Earl Mac Rauch and Mardik Martin, based on a story by Rauch. John Kander and Fred Ebb wrote several songs for the film, including " New York, New York " which became a global phenomenon.
New York was the opening film for the 33rd Cairo International Film Festival on 10 November 2009. The film's director, Kabir Khan, was in attendance and addressed the audience at the end of its screening. [29] [30] New York was also screened at the Pusan International Film Festival in October 2009.
In the history of motion pictures in the United States, many films have been set in New York City, or a fictionalized version thereof. The following is a list of films and documentaries set in New York, however the list includes a number of films which only have a tenuous connection to the city. The list is sorted by the year the film was released.
The movie ticket company Fandango is reaching the digital streaming market too with the Vudu app, a movie app that offers rentals, purchases and free movies for streaming. Powered by ads, Vudu ...
Welcome To New York is a 2018 Indian Hindi-language 3D comedy film, directed by Chakri Toleti, produced by Vashu Bhagnani and Jackky Bhagnani, and starring Diljit Dosanjh, Sonakshi Sinha, Karan Johar, Ritesh Deshmukh, Boman Irani, Lara Dutta, Sushant Singh Rajput and Rana Daggubati. The film was released on 23 February 2018. [2]
Welcome to New York is a 2014 crime drama film co-written and directed by Abel Ferrara.Inspired by the Dominique Strauss-Kahn affair when the French politician was accused of sexual assaulting a hotel maid, the film was released on 17 May 2014 by VOD on the Internet as the film failed to secure a place on the Official Selection at the 2014 Cannes Film Festival (where it was given a special ...
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On Rotten Tomatoes the film has an approval rating of 25% based on reviews from 8 critics. [2] [3] The New York Times critic praised the director James DeMonaco for "adroitly weaving violence, absurdity and sentiment, even an environmental consciousness, into a modest, appealing fable", [4] while the reviewer from The New York Daily News blamed him for "wasting a strong cast in silly roles".