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Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0810963175; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0300095805; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0688028934
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press,2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
Payne, Blanche: History of Costume from the Ancient Egyptians to the Twentieth Century, Harper & Row, 1965. No ISBN for this edition; ASIN B0006BMNFS; Ribeiro, Aileen: Fashion and Fiction: Dress in Art and Literature in Stuart England, Yale, 2005, ISBN 978-0-300-10999-3
Ashelford, Jane: The Art of Dress: Clothing and Society 1500–1914, Abrams, 1996. ISBN 0-8109-6317-5; Baumgarten, Linda: What Clothes Reveal: The Language of Clothing in Colonial and Federal America, Yale University Press, 2002. ISBN 0-300-09580-5; Black, J. Anderson and Madge Garland: A History of Fashion, Morrow, 1975. ISBN 0-688-02893-4
In England from the 1630s, under the influence of literature and especially court masques, Anthony van Dyck and his followers created a fashion for having one's portrait painted in exotic, historical or pastoral dress, or in simplified contemporary fashion with various scarves, cloaks, mantles, and jewels added to evoke a classic or romantic mood, and also to prevent the portrait appearing ...
1790s: Women: "age of undress"; [7] dressing like statues coming to life; [16] Greek fashion started to inspire the current fashion, and fillet-Greek classical hairstyles and high waisted clothing with a more triangular hem started to find its way; pastel fabrics; natural makeup; bare arms; blonde wigs; accessorized with: hats, Draped turban, gloves, jewelry, small handbags – reticules ...
The most formal evening dress remained a dark tail coat and trousers, with a white cravat; this costume was well on its way to crystallizing into the modern "white tie and tails." While during the first half of the decade the waist was long, after 1865 the waist became shorter, with pockets in the pleats.
1837 dress. During the start of Queen Victoria's reign in 1837, the ideal shape of the Victorian woman was a long slim torso emphasised by wide hips. To achieve a low and slim waist, corsets were tightly laced and extended over the abdomen and down towards the hips. [4]