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Chitralekha is a 1934 Hindi novel by the Indian novel writer Bhagwati Charan Verma about the philosophy of life, love, sin and virtue. It is said to be modelled on Anatole France's 1890 novel Thaïs but set in India. [1] However, the author noted in the book's preface:
List of novels [1] [2]; Title Author Year Language Notes Anguriyo Binimoy: Bhudev Mukhopadhyay: 1862 Bengali: First known historical novel of India. Doorgeshnondini
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Download QR code; Print/export Download as PDF; ... Pages in category "Hindi-language literature" The following 49 pages are in this category, out of 49 total.
The Satasai (Satsai) or Bihari Satsai (Seven Hundred Verses of Bihari) is a famous work of the early 17th century by the Hindi poet Bihārī, in the Braj Bhasha dialect of Hindi spoken in the Braj region of northern India. [1] It contains Dohas, or couplets, on Bhakti (devotion), Neeti (Moral policies) and Shringara (love). [citation needed]
Because of the large impact of his body of work on Hindi literature, not only is this era of contemporary modern Hindi literature, since about 1975, sometimes referred to as the Kohli Era, [3] his birth anniversary of January 6th is celebrated as Litterateurs' Day or Writers' Day in the Hindi literature world.
Sachchidananda Hirananda Vatsyayan (7 March 1911 – 4 April 1987), popularly known by his pen name Agyeya (also transliterated Ajneya, meaning 'the unknowable'), was an Indian writer, poet, novelist, literary critic, journalist, translator and revolutionary in Hindi language. He pioneered modern trends in Hindi poetry, as well as in fiction ...
He was educated in Sanskrit, Pali, and Hindi. Hindi remained the language of the bulk of his literature. The Hindi of his works varies from highly sanskritized to vernacular forms. He was a poet of the masses, and preferred to write in the language of immediate local impact. Therefore, he never adhered to specific bounds of languages.