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The cut-up and the closely associated fold-in are the two main techniques: Cut-up is performed by taking a finished and fully linear text and cutting it in pieces with a few or single words on each piece. The resulting pieces are then rearranged into a new text, such as in poems by Tristan Tzara as described in his short text, TO MAKE A DADAIST ...
: With a Few Preliminary Observations on the Principles of Good Reading. by Lindley Murray is an eighteenth century textbook written in 1799 and published in the United States. The volume is one of the most widely held in American libraries. [1] The book is available in the public domain.
Prose can still express the lyricism and emotion of poetry, and can also explore many different themes. There are subgenres within the prose genre, and these include styles like deadpan narrative, surreal narrative, factoid, and postcard. Prose offers a lot of creative freedom to writers, and does not contain as many rules as some poetic styles do.
This is a list of mostly prose works by the German composer Richard Wagner.In addition to writing operas, Wagner was a prolific essayist. Wagner began compiling his prose and poetry in the 1860s, going on to publish them in ten volumes as the Gesammelte Schriften und Dichtungen (GS&D, Collected Writings and Poems). [1]
The Artist. In this prose poem, an artist is filled with the desire to create an image of "The Pleasure that abideth for a Moment". Able to fashion this image out of bronze only, he searches the world for the metal but all he can find is the bronze of one of his earlier pieces, "The Sorrow that endureth for Ever".
Reverse-engineering good prose as the key to developing a writerly ear – The starting point for becoming a good writer is to be a good reader. Good writers are avid readers. They have absorbed a vast inventory of words, idioms, constructions, tropes, and rhetorical tricks, and with them a sensitivity to how they mesh and how they clash.
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Howard's stories have a sense of authenticity and a natural deft use of language due to his investment in the narrative. The trait is considered the mark of a master in oral storytelling. [2] Some of his stories, such as "The Mirrors of Tuzun Thune", have been described as prose poems in their vigorous and rhythmic writing. [3]