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The Lantingji Xu (traditional Chinese: 蘭亭集序; simplified Chinese: 兰亭集序; pinyin: Lántíngjí Xù; lit. 'Preface to the Poems Collected from the Orchid Pavilion'), or Lanting Xu ("Orchid Pavilion Preface"), is a piece of Chinese calligraphy work generally considered to be written by the well-known calligrapher Wang Xizhi (303–361) from the Eastern Jin dynasty (317–420).
The gathering at the Orchid Pavilion is also famous for the artistry of the calligraphy of Wang Xizhi, [2] who was both one of the participants as well as the author and calligrapher of the Lantingji Xu (Preface to the Poems Composed at the Orchid Pavilion). Sun Chuo also wrote a preface, which is somewhat less famous. [3]
This translation of the text describes the events of the Orchid Pavilion Gathering and is in the documents from the Orchid Pavilion Gathering. The text is written by Lantingji Xu and is a rare example of poems of the time, as well as of how Chinese text looked like back then. [6]
Although he produced famous works in multiple script styles, he remains best known for his innovations in semi-cursive script, the style of the Lantingji xu. [15] [71] His works vary in length from a few lines to several hundred characters and, apart from the Lantingji xu and his letters to others, are largely copies of existing texts. [72]
Orchid Pavilion (兰亭), commemorating one of the most famous calligrapher, general Wang Xizhi and his famous work Lantingji Xu (蘭亭集序), written in Shaoxing in 353 AD. East Lake (东湖), scenic area outside the city. Tomb of Wang Yangming (1472–1529), general, and Neo–Confucian philosopher. Located on S308, South of Lanting.
Xianzhi died at age 42 while still in his prime. By comparison, his father did not produce many of the works he is most known for until his late forties and fifties, including the work he is most well known for (though this attribution remains controversial), Lantingji Xu or Preface to the Poems Composed at the Orchid Pavilion.
Wang is known for the Lantingji Xu ('Preface to the Orchid Pavilion Collection'), a work published in 353 which remains highly influential to calligraphers throughout the Sinosphere. [3] Semi-cursive script is prominent in modern Chinese society despite the lack of official education for it, a status aided by the introduction of fountain pens.
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