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Godas 533–535; According to Procopius, [3] Godas was a Vandal governor of Sardinia who rebelled against his king, Gelimer, who ruled northern Africa, Sardinia and Corsica.. Procopius wrote that Godas behaved like a king but that it was a short-lived kingdom
The Periphery in the Center: Sardinia in the Ancient and Medieval Worlds. Oxford: Archaeopress, 2001. Tangheroni, Marco. "Sardinia and Corsica from the Mid-Twelfth to the Early Fourteenth Century", pp. 447–57. In David Abulafia (ed.), The New Cambridge Medieval History, Volume 5: c.1198–c.1300. Cambridge: Cambridge University Press, 1999.
The recorded history of Sardinia begins with its contacts with the various people who sought to dominate western Mediterranean trade in classical antiquity: Phoenicians, Punics and Romans. Initially under the political and economic alliance with the Phoenician cities, it was partly conquered by Carthage in the late 6th century BC and then ...
Because SparkNotes provides study guides for literature that include chapter summaries, many teachers see the website as a cheating tool. [7] These teachers argue that students can use SparkNotes as a replacement for actually completing reading assignments with the original material, [8] [9] [10] or to cheat during tests using cell phones with Internet access.
The subject of the play is the strange incident in 1730–32 in the Kingdom of Sardinia in which the elderly king, Victor Amadeus II, first abdicated in favour of his son Charles Emmanuel III, and then after months of ever-increasing complaints unexpectedly demanded to be restored. He was imprisoned until his death a year later.
In ancient Roman religion, a lucus ([ˈɫ̪uː.kʊs], plural lucī) is a sacred grove. Lucus was one of four Latin words meaning in general "forest, woodland, grove" (along with nemus , silva , and saltus ), but unlike the others it was primarily used as a religious designation, meaning "sacred grove". [ 1 ]
Ariadne (1932) is a short epic or long narrative poem of 3,300 lines, by the British poet F. L. Lucas. It tells the story of Theseus and Ariadne, with details drawn from various sources and original touches based on modern psychology. It was Lucas's longest poem. His other epic reworking of myth was Gilgamesh, King of Erech (1948). [1]
In chapter three of Voltaire's 1747 novel Zadig, there is an adaptation of The Three Princes of Serendip, this time involving, instead of a camel, a horse and a dog, which the eponymous Zadig is able to describe in great detail from his observations of the tracks on the ground. When he is accused of theft and taken before the judges, Zadig ...