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Avadhānaṃ (literally meaning "concentration") is a genre of performance in India, where a performer (called the avadhāni) answers challenging questions from several questioners in parallel. The most popular variety, called sāhitya (literary) avadhānam involves the performer composing poetry , thereby entertaining the audience and ...
The original English edition of the book consisted of two volumes, the first of which covered parts 1-3, while the second contained parts 4-5. The original Gujarati version was published as the Satya Na Prayogo (lit. Experiments with Truth), bearing the subtitle, Atmakatha (lit. The Story of a Soul). [7]
Part of a series on: Ravidassia; Beliefs and practices; Aarti; Meditation; Naam Japo; Simran; Nagar Kirtan; Langar; Sevā; Temples; Bhawan; Gurdwara; Scriptures ...
Yugpurush: Mahatma Na Mahatma is a 2016 Gujarati play based on the relationship between Jain philosopher Shrimad Rajchandra and Indian independence leader Mahatma Gandhi.The play depicts the spiritual journey of Gandhi.
The Vaikuntha Gadyam, unlike the commentaries of Ramanuja on Vedanta, does not have detailed philosophical debates.Instead, it is a pure expression of bhakti and gives a detailed description of Vaikuntha seen through the eyes of a liberated one ().
Mahākāvya (lit. great kāvya, court epic), also known as sargabandha, is a genre of Indian epic poetry in Classical Sanskrit.The genre is characterised by ornate and elaborate descriptions of phenomena such as scenery, love, and battles.
Kāvya (Devanagari: काव्य, IAST: kāvyá) refers to the Sanskrit literary style used by Indian court poets flourishing between c.200 BCE and 1200 CE. [1] [2]This literary style, which includes both poetry and prose, is characterised by abundant usage of figures of speech such as metaphors, similes, and hyperbole to create its characteristic emotional effects.
Jayadeva (pronounced [dʑɐjɐˈdeːʋɐ]; born c. 1170 CE), also spelt Jaideva, was a Sanskrit poet during the 12th century. He is most known for his epic poem Gita Govinda [2] which concentrates on Krishna's love with the gopi, Radha, in a rite of spring. [3]