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Back in Office 's lead single "Let Me Know" was released on 20 August 2021. Produced by Clemzy, it served as his first solo project in nine months at the time. [5] " Let Me Know" was released under Sony Music West Africa instead of Davido Music Worldwide (DMW), his previous label, which left fans to speculate if Mayorkun was leaving DMW. [6]
In 2021, during the release party of his second album Back In Office, Mayorkun disclosed his departure from DMW. In an interview with Ebuka Obi-Uchendu, both Davido and Mayorkun revealed the news to fans at his album launch event. The studio album Back In Office, was released through Sony Music's West Africa division in Nigeria on 29 October ...
In 2021, Mayorkun announced his exit from DMW with the release of his single "Let Me Know" off his second album "Back In Office", released through Sony Music West Africa. [ 20 ] [ 21 ] At the album launch of Back In Office , Davido made it public as he gave a speech at the event.
A remix, with Mayorkun, and Darkoo, featuring the Ghanaian singer King Promise, was released in 2022. The song gained popularity across TikTok, following the release of the remix. In 2022 the remixed version debuted at number 16 in Nigeria, on the TurnTable Top 50 chart on 9 May, [1] and reached number 4 on 18 May. [2]
The 11-track follow-up to 2020’s Gigaton was produced by Andrew Watt, conceptualized in July 2021 at his Beverly Hills, Ca., studio while he was working on Eddie Vedder’s Earthling and largely ...
The following is a list of albums, EPs, and mixtapes released in 2022. These albums are (1) original, i.e. excluding reissues , remasters , and compilations of previously released recordings, and (2) notable , defined as having received significant coverage from reliable sources independent of the subject.
The Mayor of Lagos is the debut studio album by Nigerian singer Mayorkun. [1] It was released on November 16, 2018, through Davido Music Worldwide. [2] The album's production was handled by Speroach Beatz, Cracker Mallo, Fresh VDM, Kiddominant, DJ Coublon, Phantom, Northboi, Killertunes and Lussh. [2]
While the album charted in the Top Ten in half a dozen countries, it received a "mixed or average" response, scoring 52 / 100 on review aggregator Metacritic. [3] Reviewing the album for Rolling Stone, Jonathan Bernstein wrote that "Morrison's new record bears a strange resemblance to the unhinged, rambling feel of the pandemic-era internet: more often than not, its 28 tracks come across as a ...