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In English poetry, accent refers to the stressed syllable of a polysyllabic word, or a monosyllabic word that receives stress because it belongs to an "open class" of words (noun, verb, adjective, adverb) or because of "contrastive" or "rhetorical" stress.
Though limited, the following diacritical marks in English may be encountered, particularly for marking in poetry: [5] the acute accent (née) and grave accent (English poetry marking, changèd), modifying vowels or marking stresses; the circumflex (entrepôt), borrowed from French; the diaeresis (Zoë), indicating a second syllable in two ...
Dialects can be defined as "sub-forms of languages which are, in general, mutually comprehensible." [1] English speakers from different countries and regions use a variety of different accents (systems of pronunciation) as well as various localized words and grammatical constructions.
Accent. Vedic accent; Arsis and thesis: the first and second half of a foot; Cadence: the patterning of rhythm in poetry, or natural speech, without a distinct meter; Catalexis: shortening of a line by one element (adjective: catalectic) Acatalexis: the opposite of catalexis; Acephalous line: a line lacking the first element
They can be compared to the various types of accents in music theory. In some contexts, the term stress or stress accent specifically means dynamic accent (or as an antonym to pitch accent in its various meanings). A prominent syllable or word is said to be accented or tonic; the latter term does not imply that it carries phonemic tone.
In Italian poetry, metre is determined solely by the position of the last accent in a line, the position of the other accents being however important for verse equilibrium. Syllables are enumerated with respect to a verse which ends with a paroxytone , so that a Septenary (having seven syllables) is defined as a verse whose last accent falls on ...
Accentual verse was a traditionally common prosody in Germany, Scandinavia, Iceland and Britain. [2] Accentual verse has been widespread in English poetry since its earliest recording, with Old English poetry written in a special form of accentual verse termed alliterative verse, of which Beowulf is a notable example.
Accentual-syllabic verse dominated literary poetry in English from Chaucer's day until the 19th century, when the freer approach to meter championed by poets such as Samuel Taylor Coleridge and Ralph Waldo Emerson and the radically experimental verse of Gerard Manley Hopkins and Walt Whitman began to challenge its dominance. [1]