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"What a Man Gotta Do" is a song by American group Jonas Brothers. It was released as a single through Republic Records on January 17, 2020. All three of the Jonas Brothers members, Nick , Joe , and Kevin Jonas , wrote the song with producers Ryan Tedder and David Stewart , alongside Jess Agombar.
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
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Drennon was born in Newark, New Jersey, United States, and after leaving school began working with local bands.From 1959 to 1963, he studied violin techniques with Louia Vaughn Jones and music composition with Mark Fax at Howard University in Washington, D.C. [1] Initially a working musician in Washington, he was encouraged by bandleader Lou Perez to move to New York City in the mid-1960s, and ...
"What's a Guy Gotta Do" is a song co-written and recorded by American country music artist Joe Nichols. It was released in November 2004 as the second and final single from his 2004 album Revelation. The song peaked at number 4 on the US Billboard Hot Country Songs chart and number 64 on the Billboard Hot 100.
The B-side to "Do What You Gotta Do" was the composition by Willie Hutch, "Now I Know What Love Is".It was produced by Marc Gordon. [8] It was one of a number of songs that Hutch wrote for Wilson, which included "Who Could Be Lovin' You" and "Getting Ready for Tomorrow".
Dylan began the recording for "If You Gotta Go, Go Now" on January 13, 1965, during the first session for Bringing It All Back Home. [2] Of the two acoustic takes completed, neither was used. He recorded the song again on January 15, producing four takes with a full band, plus backing vocalist Angeline Butler from the folk trio The Pilgrims. [ 3 ]
"I Gotta Dance to Keep from Crying" was the follow-up to the group's Top 10 pop hit, "Mickey's Monkey", also written by Holland, Dozier and Holland. The smash success of that song, according to Motown policy, automatically gave Holland-Dozier-Holland the green light to write and produce the Miracles' next release, which resulted in this song.