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This is a partitioned list of percussion instruments showing their usage as tuned or untuned. See pitched percussion instrument for discussion of the differences between tuned and untuned percussion. The term pitched percussion is now preferred to the traditional term tuned percussion:
Alboka (Basque Country, Spain); Arghul (Egypt and other Arabic nations); Aulochrome; Chalumeau; Clarinet. Piccolo (or sopranino, or octave) clarinet; Sopranino clarinet (including E-flat clarinet)
Woodwind instruments are a family of musical instruments within the greater category of wind instruments. Common examples include flute , clarinet , oboe , bassoon , and saxophone . There are two main types of woodwind instruments: flutes and reed instruments (otherwise called reed pipes).
Sanza, also known as mbira, African musical instrument; Sanza, a word and concept used in Zande literature, esp. proverbs This page was last edited on 14 ...
Mbira (/ ə m ˈ b ɪər ə / əm-BEER-ə) are a family of musical instruments, traditional to the Shona people of Zimbabwe.They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and plucking the tines with the thumbs (at minimum), the right forefinger (most mbira), and sometimes the left forefinger.
In brass instruments, the player's lips themselves vibrate, causing the air within the instrument to vibrate. In woodwind instruments, the player either: causes a reed to vibrate, which agitates the column of air (as in a saxophone, clarinet, oboe or duduk) blows over a fipple, across an open hole against an edge (as in a recorder or ocarina), or
The woodwind section, which consists of woodwind instruments, is one of the main sections of an orchestra or concert band. Woodwind sections contain instruments given Hornbostel-Sachs classifications of 421 ( edge-blown aerophones , commonly known as flutes ) and 422 ( reed aerophones ), but exclude 423 ( brass instruments , which have their ...
Modern brass instruments however generally make use of the full length of the instrument for every pitch, and are therefore significantly affected by the effects of the mouthpiece and bell. These modify the instrument's resonances to closely resemble that of a conical pipe, even if the bore is mostly cylindrical. [2]