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The song came from a melody John Valentine Eppel heard Lee Edgar Settle play. Settle was a well-known ragtime piano player and the song he wrote and played, The Graveyard Waltz, was the actual melody for the Missouri Waltz. John V. Eppel claimed he wrote it but it was well known at the time that Lee Edgar Settle actually wrote the melody.
This fiddle was passed down through the Walsh family in the early 1900s. Missouri fiddling is a unique style and repertoire of traditional folk violin playing practiced in Missouri, United States. Historian and fiddler Howard Wight Marshall has been active in its preservation and has published several full-length books on it.
Reel music is notated in simple metre, most commonly either in 2 2 or 4 4. For example, the same reel Rakish Paddy is notated in a 2 2 time signature in O'Neill's Music of Ireland, New & Revisited, [5] but in 4 4 time in English, Welsh, Scottish & Irish Fiddle Tunes, [6] with no change to the note lengths.
Bill Hensley, Mountain Fiddler, Asheville, North Carolina. Old time (also spelled old-time or oldtime) fiddle is the style of American fiddling found in old-time music.Old time fiddle tunes are derived from European folk dance forms such as the jig, reel, breakdown, schottische, waltz, two-step, and polka.
In a jazz context, "waltz" signifies any piece of music in 3/4 time, whether intended for dancing or not. [5] Although there are early examples such as the "Missouri Waltz" by Dan and Harvey’s Jazz Band (1918) and the "Jug Band Waltz" or the "Mississippi Waltz" by the Memphis Jug Band (1928), they are exceptional, as almost all jazz before 1955 was in duple meter. [6]
The Traditional Tune Archive (TTA) is the searchable digital library of traditional music from Ireland, Great Britain and North America organized alphabetically, by tune title, with alternate or additional titles and variants cross-referenced, music in standard and ABC notation, annotated information on history and context, along with references and internet links for further reference.
An allegorical figure of music is on The Arts Fountain at the Missouri State Capitol. Music of Missouri has a storied musical history. Missouri has had major developments in several popular music genres and has been the birthplace or career origin of many musicians. St. Louis was an important venue for early blues, jazz, country, and bluegrass.
In contemporary American fiddle styles, the New England states are heavily influenced by all Celtic styles, including Cape Breton fiddle-playing; whereas Southern or "Dixie" fiddle styles have tended to develop their own traditions, which emphasize double stops and in some instances the incorporation of dance calls or simple lyrics.