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Her paintings are usually oil on paper, mounted on canvas, such as Movement, in the collection of the Honolulu Museum of Art. This work, from 1989, demonstrates the luxuriant, atmospheric, and meditative abstractions for which she is known. [ 8 ]
The Tower of Blue Horses was a large work, 200 by 130 centimetres (6 ft 7 in × 4 ft 3 in). [1] Most of the picture is occupied by a frontal view of four primarily blue horses, arranged in a tier to the right of centre, facing the viewer but with their heads turned to the left; the foremost horse seemed "only a little less than life size" to at least one writer. [2]
The Horse Fair is an oil-on-canvas painting by French artist Rosa Bonheur, begun in 1852 and first exhibited at the Paris Salon in 1853. Bonheur added some finishing touches in 1855. Bonheur added some finishing touches in 1855.
Albert Gleizes, 1920–1923, Ecuyère (Horsewoman), oil on canvas, 130 x 93 cm, Musée des Beaux-Arts de Rouen, Centre Pompidou, 1998 – Cubism, Abstract art Joan Miró , 1920, Horse, Pipe and Red Flower , oil on canvas, 82.6 x 74.9 cm, Philadelphia Museum of Art – Cubism , Surrealism
Michael Horse, Apache/Yaqui-descent; Lynnette Haozous, Chiricahua Apache/Navajo/Taos Pueblo; Allan Houser , Chiricahua Apache; Norma Howard, Choctaw Nation/Mississippi Choctaw/Chickasaw; Oscar Howe (Mazuha Hokshina), Yanktonai Dakota (1915–1983) Howling Wolf, Southern Cheyenne (1849–1927) Sharon Irla, Cherokee Nation (born 1957)
Wassily Kandinsky, cover of Der Blaue Reiter almanac, c. 1912. Der Blaue Reiter (The Blue Rider) was a group of artists and a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name (first published in mid-May 1912).