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"The Memphis Blues" is a song described by its composer, W. C. Handy, as a "southern rag". It was self-published by Handy in September 1912 and has been recorded by many artists over the years. It was self-published by Handy in September 1912 and has been recorded by many artists over the years.
The Memphis blues is a style of blues music created from the 1910s to the 1930s by musicians in the Memphis area, such as Frank Stokes, Sleepy John Estes, Furry Lewis and Memphis Minnie. The style was popular in vaudeville and medicine shows and was associated with Beale Street , the main entertainment area in Memphis.
Memphis Blues is the eleventh studio album by American singer Cyndi Lauper, containing cover versions of classic blues songs. Regarded as a continuation of her 2008 comeback, the album was a nominee for the Grammy Awards 2010 and was released on her 57th birthday, June 22, 2010.
In 1912, the sheet music for "The Memphis Blues" by W.C. Handy was published, enabling musicians everywhere to emulate the city's signature sound. Other significant composers worked in gospel ...
A trumpet player and composer, W.C. Handy — who titled his 1941 autobiography "Father of the Blues" — was born in Florence, Alabama, but became famous after relocating to Memphis in 1909 and ...
The Memphis Blues" sheet music cover, 1913. In 1909 Handy and his band moved to Memphis, Tennessee, where they played in clubs on Beale Street. "The Memphis Blues" was a campaign song written for Edward Crump, the successful Democratic Memphis mayoral candidate in the 1909 election [19] and political boss.
Even the dance records of 'The Memphis Blues' made during that period were played as straight one-steps. However, there were a few good old-fashioned 'trombone smears' in the orchestral effects of my 'Memphis Blues' record." [2] Harvey is also notable for recording the antiwar protest song “I Didn't Raise My Boy to Be a Soldier” in 1915
"Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances.