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"Electrica Salsa", also titled "Electrica Salsa (Baba Baba)", is a 1986 song by the group Off, featuring German DJ and singer Sven Väth and future Snap! producers Michael Münzing and Luca Anzilotti. It was the first single from his album Organisation for Fun on which it appears as fourth track in its single version and a
The concert is often cited as one of the most crucial moments in the history of salsa, highlighting the importance of the descarga format in the success of the genre during the 1970s. [29] In 1977, Cachao was brought to a studio by musicologist René López to record two new albums for the Salsoul label: Cachao y su Descarga 77 and Dos.
Gilberto Santa Rosa Cortés (pronounced [xilˈβeɾto santa ɾosa]), nicknamed "El Caballero de la Salsa" (The Gentleman of Salsa) (born August 21, 1962), [1] is a Puerto Rican bandleader and singer of salsa and bolero. He is a six-time Grammy Award winner and has sold over three million records in the United States and Puerto Rico.
Salsa dura, also known as salsa brava or salsa gorda, [1] is a style of salsa music developed in the 1970s with an emphasis on the instrumental part of the music (piano, bass, horns, percussion, etc.) over the lead vocals. The genre originated in New York City where large ensembles such as Fania All-Stars adapted the salsa genre to a descarga ...
Based on Cuban music in rhythm, tempo, bass line, riffs and instrumentation, Salsa represents an amalgamation of musical styles including rock, jazz, and other Latin American musical traditions. Modern salsa (as it became known worldwide) was forged in the pan-Latin melting pot of New York City in the late 1960s and early 1970s.
By the mid-to-late 1990s this began to change as the American music industry made efforts to market a range of dance genres as "electronica". [124] At the time, a wave of electronic music bands from the United Kingdom, including The Prodigy , The Chemical Brothers , Fatboy Slim and Underworld , had been prematurely associated with an "American ...
The word Salsa means sauce in the Spanish language. The origin of the connection of this word to a style of music is disputed by various music writers and historians. The musicologist Max Salazar traced the origin of the connection to 1930 when Ignacio Piñeiro composed the song Échale salsita (Put some sauce in it). [19]
However, in the early 20th century “musica Jíbara” gained recording momentum, and we began to see poet or troubadour-jíbaro artists record music in Puerto Rico as well as New York. Names such as Alfonso Velez, Johnny Albino, Ramito, Nito Mendez, and Odilio Gonzalez saw lots of studio time, influencing new sounds in the Caribbean.