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An explanation to the origins of Taoist ritual clothing (Chinese: 道衣; pinyin: dàoyī; lit.'Taoist clothing') might be they are derived from robes worn by zhouyi (Chinese: 咒醫; pinyin: zhòuyī; i.e. ritual healers) and fangshi in ancient China as their clothing were embroidered with patterns of flowing pneuma which are similar to clouds, depictions of the celestial real and the underworld.
Dehua porcelain statue of the Taoist goddess Doumu (Dipper Mother), adapted from the Buddhist deva Marici, 18th century [1]. The roles of women in Taoism (/ ˈ d aʊ ɪ z əm /, / ˈ t aʊ-/) (also spelled "Daoism" / ˈ d aʊ-/) have differed from the traditional patriarchy over women in ancient and imperial China.
Lebollo la basadi also known as female initiation among the Basotho is a rite of passage ritual which marks the transition of girls into womanhood. This activity is still practiced in the Free State, Mpumalanga, Eastern Cape and KwaZulu Natal provinces of South Africa. In Sesotho, lebollo means initiation.
Taoist, in Western sinology, is traditionally used to translate daoshi/taoshih (道士; 'master of the Tao'), thus strictly defining the priests of Taoism, ordained clergymen of a Taoist institution who "represent Taoist culture on a professional basis", are experts of Taoist liturgy, and therefore can employ this knowledge and ritual skill for ...
Taoism evolved in response to changing times, with its doctrine and associated practices being revised and refined. The acceptance of Taoism by the ruling class has waxed and waned, alternately enjoying periods of favor and rejection. Most recently, Taoism has emerged from a period of suppression and is undergoing a revival in China.
'Hemp Maiden') is a legendary Taoist xian (仙; 'immortal', 'transcendent') associated with the elixir of life, and a symbolic protector of women in Chinese mythology. Stories in Chinese literature describe Magu as a beautiful young woman with long birdlike fingernails, while early myths associate her with caves.
Paronomastically, tao is equated with its homonym 蹈 tao < d'ôg, "to trample," "tread," and from that point of view it is nothing more than a "treadway," "headtread," or "foretread "; it is also occasionally associated with a near synonym (and possible cognate) 迪 ti < d'iôk, "follow a road," "go along," "lead," "direct"; "pursue the right ...
Zhizha (simplified Chinese: 纸扎; traditional Chinese: 紙紮; pinyin: zhǐzā), or Taoist paper art, is a type of traditional craft, mainly used as offerings in Taoist festive celebrations and funerals. It had become a widely accepted element in religious practice since Northern Song Dynasty. It now faces a gradual loss of craftsmanship due ...