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Goldfinger is the soundtrack of the 1964 film of the same name, the third film in the James Bond film series, directed by Guy Hamilton. The album was composed by John Barry and distributed by EMI . Two versions were released initially, one in the United States and the United Kingdom , which varied in terms of length and which tracks were within ...
The following is the discography of Goldfinger, a Los Angeles–based punk rock band formed in 1994 by John Feldmann on vocals and guitar, Simon Williams on bass, former drummer of Buffalo NY's Zero Tolerance Darrin Pfeiffer on drums, and Charlie Paulson on guitar.
The Best of Bond... James Bond is the title of various compilation albums of music used in the James Bond films made by Eon Productions up to that time. The album was originally released in 1992 as The Best of James Bond, as a one-disc compilation and a two-disc 30th Anniversary Limited Edition compilation with songs that had, at that point, never been released to the public.
In Goldfinger (1964), he perfected the "Bond sound", a heady mixture of brass, jazz elements and sensuous melodies. There is even an element of Barry's jazz roots in the big-band track "Into Miami", which follows the title credits and accompanies the film's iconic image of the camera lens zooming toward the Fontainebleau Hotel in Miami Beach .
Derek Roy Watkins (2 March 1945 – 22 March 2013) was an English jazz, pop, and classical trumpeter.Best known for his lead trumpet work on the soundtracks of James Bond films, Watkins recorded with British jazz bandleaders as well as the Royal Philharmonic Orchestra, the London Symphony Orchestra, and The Beatles.
Goldfinger attempts to cheat, but Bond tricks him into losing the match. Goldfinger warns Bond against interfering in his affairs, and Oddjob demonstrates his formidable strength, along with a steel-brimmed hat. Bond follows Goldfinger to Switzerland and meets Jill's sister Tilly, who tries to assassinate Goldfinger but is stopped by Bond.
"Goldfinger" is the title song from the 1964 James Bond film of the same name. Composed by John Barry and with lyrics by Leslie Bricusse and Anthony Newley , the song was performed by Shirley Bassey for the film's opening and closing title sequences, as well as the soundtrack album release.
David Arnold composed the score of Tomorrow Never Dies, his first full Bond soundtrack. Arnold came to the producers' attention due to his successful cover interpretations in Shaken and Stirred: The David Arnold James Bond Project—which featured major artists performing classic James Bond title songs.