Search results
Results From The WOW.Com Content Network
On the Hits Out of Hell music video compilation, the prologue was removed and spliced in front of the video for "You Took the Words Right Out of My Mouth", ostensibly to properly replicate the album Bat Out of Hell, and the video for "Paradise by the Dashboard Light" goes right into the performance.
"Blind Before I Stop" is a single by Meat Loaf released in 1987. It is from the album Blind Before I Stop . It is one of the few songs he has made where he plays rhythm guitar .
Meat Loaf co-wrote three of the songs on the album. Two of them, "Blind Before I Stop" and "Rock 'n' Roll Mercenaries" were performed live on U.K. show Saturday Live, with Meat Loaf playing guitar. [10] "Rock 'n' Roll Mercenaries", a duet with rock singer John Parr, was released as a single in the UK. Meat Loaf sang the song live with Parr on ...
Following Meat Loaf’s death, singer Rebecca Ferguson referred to the perceived ambiguity of the lyric. She wrote on Twitter: “What was ‘That’ by the way? We will never know.”
According to his autobiography, Meat Loaf asked Jim Steinman to write a song that was not 15 or 20 minutes long, and, in Meat Loaf's words, a "pop song." His autobiography also dates the writing of the song to 1975, the song reportedly being a key factor in Meat Loaf and Steinman deciding to do an album together.
According to Meat Loaf, the song is "constructed from" a shot near the beginning of Alfred Hitchcock's Psycho in which the viewer looks down a valley and sees the lights of a city. He says all the clients in the Bates Motel "wish they would have left like a bat out of hell...
Meat Loaf becomes angry with Raven because the ghost of Raven's former lover appears at a masquerade ball they are attending (some reviewers have compared this to the Stanley Kubrick film Eyes Wide Shut). [111] Meat Loaf's character mourning that of Marion Raven, in the 2006 video directed by P. R. Brown.
This version featured new lyrics for the second half of the song's second verse, as well as slight changes in the first verse and final chorus. It was a chart-topping success, hitting #1 on the Canadian and U.S. Adult Contemporary charts for six weeks, as well as peaking at number #18 on the U.S. Billboard Hot 100 in the first weeks of 1984 ...