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A lavalava, sometimes written as lava-lava, also known as an ' ie, short for 'ie lavalava, is an article of daily clothing traditionally worn by Polynesians and other Oceanic peoples. It consists of a single rectangular cloth worn similarly to a wraparound skirt or kilt. [1] The term lavalava is both singular and plural in the Samoan language.
The Samoan Lavalava is a wraparound "skirt". These are worn by men, women and children. The women's lavalava pattern usually have either traditional symbols and/or a flower (frangipani) pattern. The men's lavalava have only traditional symbols. A blue lavalava is the official skirt for the police officers uniform of Samoa.
Children dressed in their best for a church festival. The boys are wearing tupenu and ta'ovala. Tupenu is the Tongan term for a wrapped garment also called a sarong, lungi, or lava-lava, worn through much of South Asia, Southeast Asia, Arabian Peninsula, the Horn of Africa and Oceania.
It is considered formal local attire. In the 1960s and 1970s many women in Tarawa, Kiribati and a few i-matang women wore a garment which was referred to as a Mother Hubbard. Whilst the lower half of the body was covered with a wrap-around ( lavalava ) or a skirt, the top half was worn a very loose low-necked blouse short enough to expose a ...
The puletasi (Samoa) or puletaha (Tonga) is a traditional item of clothing worn by Samoan, Tongan, and Fijian women and girls. Today, puletasi is used as a female full dress. It is most commonly worn to church and formal cultural event
Wedding Tapa, 19th century, from the collection of Los Angeles County Museum of Art. Tapa cloth (or simply tapa) is a barkcloth made in the islands of the Pacific Ocean, primarily in Tonga, Samoa and Fiji, but as far afield as Niue, Cook Islands, Futuna, Solomon Islands, Java, New Zealand, Vanuatu, Papua New Guinea and Hawaii (where it is called kapa).
Pāreu on display in Rarotonga. A pāreu or pareo is a wraparound skirt worn on Tahiti.The term was originally used only for women's skirts, as men wore a loincloth, called a maro.
Quechquemitl from Hidalgo at the Museo de Arte Popular in Mexico City. Peoples noted for the making of quechquemilts include the Huastecs, the Nahuas, the Tepehuas, the Huichols and the Otomis and the decoration of the garment can identify from which group it comes. [3]