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In Marxist philosophy, cultural hegemony is the dominance of a culturally diverse society by the ruling class who shape the culture of that society—the beliefs and explanations, perceptions, values, and mores—so that the worldview of the ruling class becomes the accepted cultural norm. [1]
In line with Gramsci's theories of cultural hegemony, he argued that capitalist power needed to be challenged by building a counter-hegemony. By this, he meant that, as part of the war of position, the organic intellectuals and others within the working-class, need to develop alternative values and an alternative ideology in contrast to ...
What Gramsci gave to this was the importance of consent and culture. If the fundamental Marxists saw the power in terms of class-versus-class, then Gramsci gave to us a question of class alliance. The rise of cultural studies itself was based on the decline of the prominence of fundamental class-versus-class politics. [37]
Gramsci Is Dead: Anarchist Currents in the Newest Social Movements is a book by Richard J. F. Day about whether social movements should pursue cultural hegemony. Day has been described as being "among a new generation of anarchist academics challenging Marxist dominance at the universities."
It is important to recognize that for Gramsci, historical leadership, or hegemony, involves the formation of alliances between class factions, and struggles within the cultural realm of everyday common sense. Hegemony was always, for Gramsci, an interminable, unstable and contested process. [52] Scott Lash writes:
Organic crisis, structural crisis, regime crisis or hegemony crisis is a concept that defines the situation in which a social, political and economic system as a whole finds itself in a scenario of instability because its institutions have lost credibility and legitimacy before the citizenry.
"Hegemony" was conceptualized by Karl Marx and Antonio Gramsci, a Marxist social philosopher who lived in Mussolini's Italy. Because Gramsci was a Marxist, he subscribed to the basic Marxist premise of the dialectic and therefore the contradiction. In his writings Gramsci claims that intellectuals create both hegemony and counter-hegemony.
The concept of a dominant culture, or the concept of hegemony, originated in Ancient Greece. Although Vladimir Lenin, a politician and a political theorist, defined the concept as “Domination,” Gramsci redefined it as “An intellectual and moral leadership directed by contradictory political and, cultural agents and organizations.”