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Iranian pop music is commonly performed by vocalists who are accompanied with elaborate ensembles, often using a combination of both indigenous Iranian and European instruments. [1] The pop music of Iran is largely promoted through mass media, but it experienced some decade of prohibition after the 1979 Revolution.
Iran's western-influenced pop music emerged by the 1950s. [4] Prior to the 1950s, Iran's music industry was dominated by traditional singers. [4] Viguen, known as the "Sultan" of Iranian pop and jazz music, was a pioneer of this revolution. [4] [3] [5] [2] He was one of Iran's first musicians to perform with a guitar. [4]
Experiments and influences from Iran's folk music have been incorporated into the musical appearance of tasnif, that is a type of vocal composition in Iranian classical music. [9] Composers of the late 19th and early 20th centuries used the folk music of their native countries as a source of inspiration for their compositions.
A "row" in the theory of Iranian music, is the arrangement of songs and melodies. Each of these songs, called a corner. Instrument. "Instrument" in traditional Iranian music, refers to a collection of several melodies (corners) that are in harmony with each other in steps, tunes, and intervals of notes. Song. "Song", here is: A special kind of ...
العربية; Azərbaycanca; বাংলা; Беларуская; Български; Bosanski; Deutsch; Eesti; Ελληνικά; Español; Esperanto; فارسی
Iranian rock (also known as Rocka red [1] [2] [3]) refers to rock music produced by Iranian artists. Rock music has been popular in Iran since 1960s, with the emergence of singers such as Kourosh Yaghmaei, Farhad Mehrad, Fereydoon Foroughi and Habib Mohebian, but was largely forgotten after the Iranian Revolution. [4]
See also full list of Iranian musicians and singers This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
A complete book in Iranian traditional music is called the radif, which consists of all seven Dastgāh. Such a radif would traditionally be written by the master, the ostād, and then played, learned, and thoroughly memorized by the apprentice before he could become a master. Each radif consists of approximately 200–400 gousheh.