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Cover of the Edition Peters sheet music of "Lux aeterna" by György Ligeti. This is a list of online digital musical document libraries.Each source listed below offers access to collections of digitized music documents (typically originating from printed or manuscript musical sources).
The first section features a mysterious theme in 7 8 contrasting with jagged piano figures. It concludes with a cadenza that provides a transition to the lyrical second section. The last section features rapid exchanges between the flute and the piano before another short but difficult cadenza recalls the themes heard before.
Ludwig van Beethoven: . Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93)
The fourth set employs the popular "St. Patrick's Day." [1] The fifth set ("A Madel, ja a madel") includes great difficulty for both instruments. [1] The Sixth set resembles (in mood) Beethoven's Sixth Symphony ("Pastoral"). [1] In the seventh set, Beethoven uses a popular Ukrainian tune Ikhav Kozak za Dunaj known in Germany as "Schöne Minka." [1]
It was originally written for flute and piano, but Chaminade later arranged it for flute and orchestra. The piece remains a standard and popular part of the flute repertoire. [1] For example, it was voted #85 in a 2012 survey of the best French classical music by the Australian radio station ABC Classic FM. It also remains one of Chaminade's ...
The Sonate pour flûte et piano (Flute Sonata), FP 164, by Francis Poulenc, is a three-movement work for flute and piano, written in 1957. The sonata was commissioned by the American Library of Congress and is dedicated to the memory of Elizabeth Sprague Coolidge , an American patron of chamber music.
Bohuslav Martinů's Sonata for Flute and Piano, H. 306, was composed in 1945 in South Orleans, Cape Cod, [1] during the composer's five years in the USA following his escape from occupied France. [2] The work was composed for George Laurent who was the principal flute of the Boston Symphony Orchestra from 1918 to 1952. [ 3 ]
It is scored for solo flute and strings [1] [2] and was premièred on 24 January 1950 by soloist Jean-Pierre Rampal. [3] Jolivet wrote a concerto for flute and percussion in 1965. [4] The work lasts about 13 minutes. [3] It is now part of the standard flute repertoire and several prominent flautists have recorded it.