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In a few puzzles, an additional clue is given which describes a phrase or set of words placed around the edge of the grid (alternate squares of the perimeter being black) to give a starting point for placing some of the answers. His clues often included long anagrams, with his favourite appearing in a Christmas puzzle:
A lament in the Book of Lamentations or in the Psalms, in particular in the Lament/Complaint Psalms of the Tanakh, may be looked at as "a cry of need in a context of crisis when Israel lacks the resources to fend for itself". [8] Another way of looking at it is all the more basic: laments simply being "appeals for divine help in distress". [9]
A 15x15 lattice-style grid is common for cryptic crosswords. A cryptic crossword is a crossword puzzle in which each clue is a word puzzle. Cryptic crosswords are particularly popular in the United Kingdom, where they originated, [1] as well as Ireland, the Netherlands, and in several Commonwealth nations, including Australia, Canada, India, Kenya, Malta, New Zealand, and South Africa.
The Laments belong to a Renaissance poetic genre of grief (threnody, or elegy), and the entire work comprises parts characteristic of epicedia: the first poems introduce the tragedy and feature a eulogy of the decedent; then come verses of lamentation, demonstrating the magnitude of the poet's loss and grief; followed at last by verses of ...
"The Lament for Owen Roe" is a traditional Irish ballad dating from the nineteenth century. With a mournful tune, based on an eighteenth-century composition called Lament for Owen Roe O'Neill by the harpist Turlough O'Carolan , it is a lament for the death of Owen Roe O'Neill .
The Gambler's lament (or "Gamester's lament") is one of the hymns of the Rigveda which do not have any direct cultic or religious context. It is found in the late Tenth Book (RV 10.34), where most of such hymns on "miscellaneous" topics are found, suggesting a date of compilation corresponding to the early Indian Iron Age .
Lithuanian laments is an archaic genre of Lithuanian folk songs. There are two major categories of Lithuanian laments : funeral lament (laidotuvių rauda) and wedding lament (vestuvių rauda). [ 1 ] Other kinds of laments are associated with various crucial, often misfortunate moments of life: illness, domestic misfortune (e.g., fire), soldier ...
The use of the male body as a vehicle for the projection of subjective emotion, as in The Lament for Icarus, is a feature of late-Victorian painting and sculpture, [4] and in The Lament for Icarus the body appears to melt within the arms of one nymph. Draper applied liquid light effects without abandoning form and used mainly warm colours.