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Them! is a 1954 black-and-white science fiction giant monster film starring James Whitmore, Edmund Gwenn, Joan Weldon, and James Arness. [3] Produced by David Weisbart, the film was directed by Gordon Douglas, based on an original story by George Worthing Yates that was developed into a screenplay by Ted Sherdeman, with adaptation by Russell Hughes.
First film to be digitally colorized [728] [729] [730] Topper Returns: 1941: 1987: Hal Roach Studios [731] Topper Takes a Trip: 1938: 1987: Hal Roach Studios [732] Torrid Zone: 1940: 1992: Turner Entertainment [733] [734] Tortilla Flat: 1942: 1990: Turner Entertainment [735] Towed in a Hole: 1932: 1993: Cabin Fever Entertainment [736] The Trail ...
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The science fiction genre began its golden age during this decade with such notable films as The Day the Earth Stood Still (1951), The Thing from Another World (1951), The War of the Worlds (1953), It Came from Outer Space (1953), Creature from the Black Lagoon (1954), Them! (1954), This Island Earth (1955), Earth vs. the Flying Saucers (1956 ...
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
The real push for color films and the nearly immediate changeover from black-and-white production to nearly all color film were pushed forward by the prevalence of television in the early 1950s. In 1947, only 12 percent of American films were made in color. By 1954, that number rose to over 50 percent. [3]
The Thing from Another World, sometimes referred to as just The Thing, is a 1951 American black-and-white science fiction-horror film directed by Christian Nyby, produced by Edward Lasker for Howard Hawks' Winchester Pictures Corporation, and released by RKO Radio Pictures.
A hand-colored print of George Méliès' The Impossible Voyage (1904). The first film colorization methods were hand-done by individuals. For example, at least 4% of George Méliès' output, including some prints of A Trip to the Moon from 1902 and other major films such as The Kingdom of the Fairies, The Impossible Voyage, and The Barber of Seville were individually hand-colored by Elisabeth ...