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  2. Love Sick (Bob Dylan song) - Wikipedia

    en.wikipedia.org/wiki/Love_Sick_(Bob_Dylan_song)

    The song is performed in the key of E minor [6] and Attwood sees the desolate lyrical landscape as being reflected in the descending chord progression of the music: "the chords of E minor and D rock back and forth, and the verse ends with a descent of E minor, D major, B minor, A major – and the descent is a descent in every respect. It feels ...

  3. A Day in the Life of… BoyWithUke - AOL

    www.aol.com/entertainment/day-life-boywithuke...

    He began playing violin and classical piano when he was four, then writing songs at 15. It wasn’t until he was a senior in high school that he started playing the ukulele to impress a girl. “I ...

  4. BoyWithUke - Wikipedia

    en.wikipedia.org/wiki/BoyWithUke

    BoyWithUke's fourth album, Lucid Dreams, was released on October 6, 2023. It was preceded by the singles "Rockstar", "Trauma" and "Migraine", with "Problematic" being released as a single on the album's release day. BoyWithUke has claimed that Lucid Dreams will be the last album of the "Dreams" saga. [citation needed]

  5. Serotonin Dreams - Wikipedia

    en.wikipedia.org/wiki/Serotonin_Dreams

    Serotonin Dreams is the third studio album by American singer BoyWithUke, and his first on a major label. [1] It was released on May 6, 2022, through Republic Records, and primarily written and produced by the singer. [2]

  6. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C

  7. Mystic chord - Wikipedia

    en.wikipedia.org/wiki/Mystic_chord

    In jazz music, on the other hand, such chords are extremely common, and in this setting the mystic chord can be viewed simply as a C 13 ♯ 11 chord with the fifth omitted. In the score to the right is an example of a Duke Ellington composition that uses a different voicing of this chord at the end of the second bar, played on E (E 13 ♯ 11).