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claude-bolling.com Musical artist Claude Bolling (10 April 1930 – 29 December 2020) [ 1 ] [ 2 ] was a French jazz pianist, composer, [ 3 ] [ 4 ] arranger, and occasional actor.
Suite for Flute and Jazz Piano (aka Suite for Flute and Jazz Piano Trio) is a "crossover" composition by the jazz pianist and composer Claude Bolling. [1] The composition, originally written in 1973, is a suite of seven movements, written for a classical flute, and a jazz piano trio (piano, string bass, and drums).
Claude Bolling, a French jazz pianist and composer whose work can be heard in over 100 films, died on Dec. 29 in Garches, France. He was 90. Bolling's representatives announced his death on his ...
Jazz Gala 79 is a double live album recorded by American singer and pianist Carmen McRae with the participation of singer Joe Williams, trumpeters Thad Jones and Cat Anderson, as well as French pianist Claude Bolling at the Marché International du Disque et de l'Édition Musicale Festival in Cannes on January 22, 1979. [1]
Claude Bolling, the prodigious and prolific jazz pianist who composed scores to dozes of films, including the Academy Award-winning comedy “California Suite,” has died at the age of 90. Jazz ...
Claude Bolling, Concerto for Classic Guitar and Jazz Piano with Angel Romero (Angel, 1979) Count Basie, Blee Blop Blues (Green Line Records, 1990, 1954 and 1955 recordings) Dave Brubeck, Young Lions & Old Tigers (Telarc, 1995) Michael Feinstein, Hopeless Romantics (Concord, 2005) John Pizzarelli, The Rare Delight of You (Telarc, 2002)
Bolling: Suite for Flute and Jazz Piano This features a live televised performance from 1976 of Claude Bolling's cross-over Suite (1973), written for Jean-Pierre Rampal (who plays a classical line to Bolling's jazz piano) and which by then had become a runaway success in the Billboard charts. Special guest double-bass player Max Hediguer is ...
This is an alphabetized list of musicians notable for playing or having played jazz piano. The piano has been an integral part of the jazz idiom since its inception, in both solo and ensemble settings. Its role is multifaceted due largely to the instrument's combined melodic, harmonic, and rhythmic capabilities. [1