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The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
The file starts with a header containing a magic number (as a readable string) and the version of the format, for example %PDF-1.7. The format is a subset of a COS ("Carousel" Object Structure) format. [24] A COS tree file consists primarily of objects, of which there are nine types: [17] Boolean values, representing true or false; Real numbers ...
Jon Robert Gibson (born January 3, 1962) [12] is an American singer, songwriter, multi-instrumental musician, and record producer.Originally a blue-eyed soul singer, he switched from secular music to contemporary Christian music in the late-1980s.
This article refers to the English version. The book was published on the 150th anniversary of the publication of the first LDS hymnbook, compiled by Emma Smith in 1835. Previous hymnbooks used by the church include The Manchester Hymnal (1840), The Psalmody (1889), Songs of Zion (1908), Hymns (1927), and Hymns (1948).
The following is a version with words attributed to the poet laureate Robert Bridges. [5] It is not a translation of the stanzas used within Bach's original version, but is inspired by stanzas of the same hymn that Bach had drawn upon: "Jesu, meiner Seelen Wonne", the lyrics of which were written in 1661 by Martin Janus (or Jahn), and which was ...
This version was re-released in 2011 as a bonus track on the 20th anniversary edition of the Nevermind album and on the Live at the Paramount DVD and Blu-ray. [5] In the version featured on the MTV Unplugged in New York album, Nirvana frontman Kurt Cobain refers to the song as "a rendition of an old Christian song, I think. But we do it the ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
"You Gotta Move" is a traditional African-American spiritual song. Since the 1940s, the song has been recorded by a variety of gospel musicians, usually as "You Got to Move" or "You've Got to Move". It was later popularized with blues and blues rock secular adaptations by Mississippi Fred McDowell and the Rolling Stones.