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Waiting for Godot, a herald for the Theatre of the Absurd. Festival d'Avignon, dir. Otomar Krejča, 1978.. The theatre of the absurd (French: théâtre de l'absurde [teɑtʁ(ə) də lapsyʁd]) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s.
The claim that the absurd has such a global extension is controversial, in contrast to the weaker claim that some situations are absurd. [2] [1] [13] The perspective of absurdism usually comes into view when the agent takes a step back from their individual everyday engagements with the world to assess their importance from a bigger context.
Absurdist fiction is a genre of novels, plays, poems, films, or other media that focuses on the experiences of characters in situations where they cannot find any inherent purpose in life, most often represented by ultimately meaningless actions and events that call into question the certainty of existential concepts such as truth or value. [1]
The absurd lies in the juxtaposition between the fundamental human need to attribute meaning to life and the "unreasonable silence" of the universe in response. [1] Camus claims that the realization of the absurd does not justify suicide, and instead requires "revolt". He then outlines several approaches to the absurd life.
The Absurd is created because man, who is placed in an unintelligent universe, realises that human values are not founded on a solid external component; as Camus himself explains, the Absurd is the result of the "confrontation between human need and the unreasonable silence of the world". [95]
Absurdity has been explored, particularly the absurd (in the above philosophical sense), in certain artistic movements, from literary nonsense to Dada to surrealism to absurdist fiction. Following the Second World War , the Theatre of the Absurd was a notable absurdist fiction movement in the dramatic arts, depicting characters grappling with ...
Bizarro fiction is a contemporary literary genre which often uses elements of absurdism, satire, and the grotesque, along with pop-surrealism and genre fiction staples, in order to create subversive, weird, and entertaining works.
The Hitchhiker's Guide to the Galaxy, in radio, book, TV series and film form (1978–). Count Duckula, cartoon show on ITV (1988–1993). Red Dwarf, science fiction sitcom on BBC 2 and Dave (1988–1999, 2009, 2012–) Brittas Empire, Chris Barrie sitcom set in a leisure centre about an annoying manager on BBC1 (1991–1997).