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Torchon lace (Dutch: stropkant) is a bobbin lace that was made all over Europe. [1] It is continuous, with the pattern made at the same time as the ground. Typical basic stitches include whole stitch, half stitch, and twists, and common motifs include spiders and fans. [ 2 ]
Freehand lace is a bobbin lace that works directly on the fabric of the lace pillow without using a pricked pattern. Very few pins are needed for this technique (in most cases, only at the two edges.) [1] The very early bobbin laces were probably made freehand, as pins were scarce, coarse, and expensive.
Bobbin lace is a lace textile made by braiding and twisting lengths of thread, which are wound on bobbins to manage them. As the work progresses, the weaving is held in place with pins set in a lace pillow, the placement of the pins usually determined by a pattern or pricking pinned on the pillow.
The hook mechanism carries the upper thread entirely around the bobbin case so that it has made one wrap of the bobbin thread. Then the take-up arm pulls the excess upper thread (from the bobbin area) back to the top, forming the lockstitch. Then the feed dogs pull the material along one stitch length, and the cycle repeats.
Bobbin lace ground is the regular small mesh filling the open spaces of continuous bobbin lace.Other names for bobbin lace ground are net or réseau (French for network). The precise course of the threads and the resultant shape of the ground are an important diagnostic feature in lace identification, as different lace styles use different groun
A tuck can be created when a previous row is knit together, stitch by stitch, with the present row. This forms a round ridge that projects outwards from the face of the fabric, and is used as a decorative detail. Tuck stitches are created by working in hand knitting by working into the stitch immediately below the next stitch waiting on the needle.
A vibrating shuttle is a bobbin driver design used in home lockstitch sewing machines during the second half of the 19th century and the first half of the 20th century. It supplanted earlier transverse shuttle designs, but was itself supplanted by rotating shuttle designs.
Another notable thing about Chantilly lace is the use of a half-and-whole stitch as a fill to achieve the effect of light and shadow in the pattern, [3] [6] which was generally of flowers. The background, or réseau, was in the form of a six pointed star, [5] and was made of the same thread as the pattern, unlike the otherwise similar blonde ...