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Samples of Monospaced typefaces. Typeface name. Example 1. Example 2. Example 3. Anonymous Pro. [1] Bitstream Vera Sans Mono.
List of typefaces designed by Morris Fuller Benton. A sample of News Gothic. A sample of Bank Gothic. A sample of Franklin Gothic. All of Benton's typefaces were cut by American Type Founders. Roycroft (c. 1898), inspired by lettering in the Saturday Evening Post and often credited to Lewis Buddy, though (according to ATF) designed “partly ...
e. Typefaces, fonts, and their glyphs raise intellectual property considerations in copyright, trademark, design patent, and related laws. The copyright status of a typeface and of any font file that describes it digitally varies between jurisdictions. In the United States, the shapes of typefaces are not eligible for copyright but may be ...
The Frutiger typeface was commissioned for use at Paris Charles de Gaulle Airport in 1975. It has also been used for regulatory and warning signs in Del Norte, Humboldt, Lake, Mendocino, Napa, Solano, Sonoma, and Yolo Counties. Also the official font for all the signage system of the Spanish Government.
The "Included from" column indicates the first edition of Windows in which the font was included. Typeface Family Spacing Weights/Styles Target script Included from
Open-source Unicode typefaces. Examples of several libre, sans-serif typefaces. There are Unicode typefaces which are open-source and designed to contain glyphs of all Unicode characters, or at least a broad selection of Unicode scripts. There are also numerous projects aimed at providing only a certain script, such as the Arabeyes Arabic font.
Check If It's a First Edition. Open the book to the copyright page, says Mann. For a book to be worth anything significant, you typically have to have a first-edition copy from the original ...
Times New Roman is a serif typeface. It was commissioned by the British newspaper The Times in 1931 and conceived by Stanley Morison, the artistic adviser to the British branch of the printing equipment company Monotype, in collaboration with Victor Lardent, a lettering artist in The Times's advertising department.