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  2. Canvas print - Wikipedia

    en.wikipedia.org/wiki/Canvas_print

    Canvas prints are used as final output for fine art pieces or for reproduction of other types of two dimensional art (drawings, paintings, photograph, etc.). Canvas prints are often used as a cheaper alternative to framed artwork as there is no glazing required and the stretcher is not usually visible, so the prints do not need to be varnished ...

  3. Nativity of Jesus in art - Wikipedia

    en.wikipedia.org/wiki/Nativity_of_Jesus_in_art

    The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child.

  4. Mari Lwyd - Wikipedia

    en.wikipedia.org/wiki/Mari_Lwyd

    The Mari Lwyd (Welsh: Y Fari Lwyd, [ 1 ] [ə ˈvaːri ˈlʊi̯d] ⓘ) is a wassailing folk custom found in South Wales. The tradition entails the use of an eponymous hobby horse which is made from a horse's skull mounted on a pole and carried by an individual hidden under a sheet. The custom was first recorded in 1800, with subsequent accounts ...

  5. Ettore DeGrazia - Wikipedia

    en.wikipedia.org/wiki/Ettore_DeGrazia

    www.degrazia.org. Ettore "Ted" DeGrazia (June 14, 1909 – September 17, 1982) was an American impressionist, painter, sculptor, composer, actor, director, designer, architect, jeweler, and lithographer. Described as "the world's most reproduced artist", DeGrazia is known for his colorful images of Native American children of the American ...

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    Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!

  7. Transfer of panel paintings - Wikipedia

    en.wikipedia.org/wiki/Transfer_of_panel_paintings

    Sebastiano del Piombo 's The Raising of Lazarus was transferred from panel to canvas in 1771. [1] The practice of conserving an unstable painting on panel by transferring it from its original decayed, worm-eaten, cracked, or distorted wood support to canvas or a new panel has been practised since the 18th century.

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