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  2. Comparison of scorewriters - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_scorewriters

    TuxGuitar, [ba] MusicXML, [c] MIDI, [d] Guitar Pro (versions 1–6), [t] Power Tab, [v] TablEdit [w] MIDI, [d] Guitar Pro (versions 3–5), [t] LilyPond, [e] ASCII tab, [u] PDF: Julian Gabriel Casadesus 1.6.6; 27 December 2024 (41 days ago) () LGPL-2.1-only: No cost: Windows, macOS, Linux, FreeBSD, Android Name Guitar tablature WYSIWYG editor ...

  3. Guitar Pro - Wikipedia

    en.wikipedia.org/wiki/Guitar_Pro

    On February 6, 2011, the first ever portable release of Guitar Pro (version 6) was made available on the App Store for support with the iPhone, iPod Touch, and iPad running iOS 3.0 or later. An Android version was released on December 17, 2014. In 2011, a version was made to work with the Fretlight guitar called Guitar Pro 6 Fretlight Ready ...

  4. TuxGuitar - Wikipedia

    en.wikipedia.org/wiki/TuxGuitar

    TuxGuitar is a free and open-source tablature editor, which includes features such as tablature editing, score editing, and import and export of Guitar Pro gp3, gp4, and gp5 files. [3] In addition, TuxGuitar's tablature and staff interfaces function as basic MIDI editors.

  5. Jerry Silverman - Wikipedia

    en.wikipedia.org/wiki/Jerry_Silverman

    Jerry Silverman (born 1931) is an American folksinger, guitar teacher and author of music books. He has had over 200 books published, which have sold in the millions, including folk song collections, anthologies and method books for the guitar, banjo and fiddle.

  6. MuseScore - Wikipedia

    en.wikipedia.org/wiki/MuseScore

    MuseScore Studio (branded as MuseScore before 2024) [8] is a free and open-source music notation program for Windows, macOS, and Linux under the Muse Group, which owns the associated online score-sharing platform MuseScore.com and a freemium mobile score viewer and playback app.

  7. Johnny Mathis Sings the Great New American Songbook

    en.wikipedia.org/wiki/Johnny_Mathis_Sings_the...

    Allmusic's James Christopher Monger wrote, "What's best is that he sounds legitimately engaged throughout, even on the umpteenth reading of Leonard Cohen's 'Hallelujah,' and his voice, which is a bit overly treated at times (seriously, Johnny Mathis does not need Auto-Tune), is as strong as ever, making one wonder why it took so long for him to apply his still considerable gifts to more ...