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The sitar (English: / ˈ s ɪ t ɑːr / or / s ɪ ˈ t ɑːr /; IAST: sitāra) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in the 18th century, and arrived at its present form in 19th-century India.
Ravi Shankar, a master of the instrument, was the first to make inroads into Western culture with the sitar.. While the sitar had earlier been used in jazz and Indian film music, it was from the 1960s onwards that various pop artists in the Western world began to experiment with incorporating the sitar, a classical Indian stringed instrument, within their compositions.
The history of the sitar in jazz, that is the fusion of the sounds of Indian classical music with Western jazz, dates back from the late-1950s or early-1960s when musicians trained in Indian classical music such as Ravi Shankar started collaborating with jazz musicians such as Tony Scott and Bud Shank.
Ravi Shankar began composing the work, his first concerto, after receiving a commission from the LSO in mid November 1970. [3] The idea of creating an Indian classical work for a full Western orchestra, accompanied by his sitar, appealed to Shankar following his forays into chamber music with violinist Yehudi Menuhin [4] – issued on West Meets East (1967) and West Meets East, Volume 2 (1968).
After secondary school, Tara Bir Singh Tuladhar gave up a possible career in the trading company of his parents' family in Kathmandu and started learning sitar. He developed a style which incorporated influences from his first teacher Laxmi Narayan Dangol, followed by his second teacher Narendra Batagu and earned his master's degree in music in Allahabad, India in 1974.
The piece was inspired by drone music, with a text from La Monte Young in the liner notes. [2] The composition is a lengthy drone in the key of A. It was recorded in the foyer of a cinema as an audience waited for a screening of the film Wings of Desire ; crowd noise and public-address announcements are audible.
[1] [6] The concept initiated from a traveling sitar, which was modified by Kumar to create rock guitar sound out of it. Kumar reduced the number of strings on the instrument from 20 to five. He also added an electric pickup inside the instrument so that it would sound more like a guitar. [ 1 ]
He started playing the sitar from four years of age. His first broadcast was at the age of eighteen at the All India Radio in 1953. [ 14 ] He created 8 new Ragas viz. Bisweswari, Palas-Sarang, Anuranjani, Ashiqui Lalit, Swanandeswari, Kalyani Bilawal, Shivamanjari and Prabhati Manjari (in memory of his wife Manju).
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