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Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Rococo painting also illustrates, in its first version, the social schism that would lead to the French Revolution, and represents the last symbolic bastion of resistance of an elite distant from the problems and interests of the common people, and that was increasingly threatened by the rise of the middle class, which was educated and began to ...
Elizabethan Baroque (Russian: Елизаветинское барокко, romanized: Yelizavetinskoye barokko or Elizavetinskoe barokko) is a term for the Russian Baroque architectural style, developed during the reign of Elizabeth of Russia between 1741 and 1762. It is also called style Rocaille or Rococo style. [1]
Rococo architecture, prevalent during the reign of Louis XV in France from 1715 to 1774, is an exceptionally ornamental and exuberant architectural style characterized by the use of rocaille motifs such as shells, curves, mascarons, arabesques, and other classical elements.
This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not only royalty and aristocrats, but also middle and even lower classes. Clothing during this time can be characterized by soft pastels, light, airy, and asymmetrical designs, and playful styles.
Rococo still maintained the Baroque taste for complex forms and intricate patterns, but by this point, it had begun to integrate a variety of diverse characteristics, including a taste for Oriental designs and asymmetric compositions. The Rococo style spread with French artists and engraved publications.
The Woman With A Dog belongs to Fragonard's Figures de Fantaisie (Fantasy Figures) series, with artworks often painted within an hour. While some elements such as the hairstyle, pearls, or the blue and pink colors correspond to the Rococo style, the dress itself is in a 16th/17th-century style, and has been compared to Rubens' portraits of Marie de Médici or Anne of Austria.
Thomas Germain (1673–1748) was the pre-eminent Parisian silversmith of the Rococo. The son of a Paris silversmith Pierre Germain (none of whose work survives) he did not at first train in the family workshop, but began as a painter, spending the years 1687–1702 in Rome , where he turned his hand towards goldsmith's work.