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The United States of America is the home of the hip hop dance, swing, tap dance and its derivative Rock and Roll, and modern square dance (associated with the United States of America due to its historic development in that country—twenty three U.S. states have designated it as their official state dance or official folk dance) and one of the major centers for modern dance.
With clear pioneers, pupils and principles, modern dance began to emerge as a distinctly American art form to be taught and developed throughout the country and continent. [citation needed] Later choreographers searched for new methods of dance composition. Merce Cunningham (1919–2009) introduced chance procedures and composition by field.
The book was written by former The New York Times dance critic Joseph H. Mazo was published by William Morrow and Company in 1977. [1] The book details the history of modern dance, starting with Loie Fuller and ending with Twyla Tharp. The book's dust jacket says that "it makes American modern dance comprehensible, approachable, accessible ...
He wanted to "dance man and woman in America today". He was most famous for his work with Doris Humphrey, with whom he started the Humphrey-Weidman Company. The two met when they were dancing in the Denishawn Company (of Ted Shawn and Ruth St. Denis ) and they soon after decided to create a dance company that built off a "dance style that ...
Olga Maynard (January 16, 1913 – December 26, 1994) [1] was a Brazilian-born American writer and educator on theater arts, author of articles and monographs on dance and dancers. Her published books are on ballet, modern dance, opera and the integration of performing arts into general education.
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Martha Hill (December 1, 1900 – November 19, 1995) [1] was an American dance instructor with wide influence. She founded innovative programs at Bennington College and Connecticut College, and was the first Director of Dance at the Juilliard School, a position she held for almost 35 years.
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